Monday, May 18, 2026

Pursed lips in a dark street April 9, 2012


 
She put the napkin

 on the rim of her glass

to tell the bartender

we would be back,

 a tiny smudge in the corner,

 a stain of lipstick to match

 the smudge on the glass,

 like two sets of lips

 embraced in an ever lasting kiss,

while outside,

in the still chill of the end of winter,

 she draws deep draughts

from the cigarette

she says she hopes to quit,

 lipstick smudging

the filter as she inhales,

while I watch her every move,

 the fingers, the lips,

 the billows of smoke

that rise around her face,

adding mystery to her already

 mysterious eyes,

all of her surrounded by

 the darkness of the street,

 weak bar light emphasizing

 the purse of her lips,

the glint in her eyes

the long fingers

lifting the cigarette

 to her face

again and again and again.

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Gennie in a bottle May 3, 2026

  

It is still the same urgency, and the same question as to how it might be resolved, no one to relieve it but myself, and that often a disappointing resolution, dripping out instead of a gush, despite the same effort and heat, like a Gennie in a Bottle that promises to fulfill all my wishes, but if I rub too hard or for too long, what pops up is only a ghost of what I want. Do we leave it, refuse to stroke it, let it brew on its own, this potency I crave, must appease, or have it bring me to my knees, not her fault, she’s just the match that lights the fuse to something that has always existed, waiting to explode, this Gennie in a bottle, this urgency that consumes me.


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Suggestions? April 5, 2012

  

She emails me stories asking advice, and it’s difficult to tell her she doesn’t need it.

I gave her a book some time last year on how to do weekly journalism when she said she was a little over hear head.

It seemed foolish then since her work is as good as mine is.

So what do you say to a person like that?

I send back suggestions and then notice that she has signed her email as “cub,” something I didn’t get at first.

I don’t pretend to understand it.


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Heavenly bodies (Summer, 2014)

 

I lay down

On the cool grass

In the head of summer

And see the clouds

Entwined above,

Heavenly bodies

Embracing each other,

Shifted even

So slowly as to make

Easy to fit in the

Other’s perfection,

The huff and puff of

Our mundane existence

Unnoticed in the heat,

In their unrelenting need

To greet each other.

I law down on the cool grass

In this summer heat,

And think of you,

Recalling the movement

Of heavily bodies

Feeling how perfectly

They embraced,

We did with even

The simplest kiss,

I feel the earth’s movements

Under me as I wonder

If we are clouds

Engaging in the most

Primitive acts imaginable,

All the pieces of this

Puzzle coming together

For us.

 


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No way around it. June 30, 2015

 No way to get around it, when the mood comes on me I must come or go, or do something to use it all up, to make it go away, my version of fantasy football or baseball,making up for what won't happen for real, she always inspires me in that way and it won't go away until I do it for myself, I don't always have to look at those things she sent me, just a memory of her will cause the uproar, giving rise to what might otherwise lay dormant, yet inspired I must retire to a private place, to do what I need to do to get it over with, though in Truth I never fully recover, even after the release, always something lingers like an old wound that throbs with the weather, and at times like these, I please myself and do it twice knowing there is no way to get around it

Sunday, May 17, 2026

I refuse to believe it Oct. 12, 2013

 I don’t believe it;

I refuse to believe it,

regardless of what

the Hometown blogs say,

maybe this is proof

that she’ll only go so far

 to honor her commitments

 to the clutch of characters

 she’s hooked up with,

perhaps,

 she even put her foot down,

 forcing those others

 to find someone else to do

 what she won’t do.

In this scummy world

full of scummy people,

she seems the least tainted,

desperate to fit in

when fitting in means

doing something beyond the pale

 of what she’s even done before,

even if the old woman on that cruise

 long ago taught her how,

doing for herself is different

 from doing for someone else,

so I refuse to believe,

 maybe I’m as blinded by the light

 as all the others who love her are,

seeing what I want

or need to see,

 rather than what is,

needing all this

not to be true

if only for my own sake.


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Who is she? 2012

  

 

Written early 2012

 

(This is from my poetry notebook and must have been written prior to April 2012. I’m not sure. I don’t date poetry notes. I tend to write descriptions of things as warm up for an eventual poem. This must have been a first impression, although I worked for some months with her. This, I wrote, but never went on to write the poem Why I never posted it is beyond me.)

 

She stands out, even in a crowd, even when she doesn’t want to, not too tall for a girl, not too skinny either, her dark hair framing a slightly tilted face and dark intense eyes that make you wonder what she is thinking when she looks at you, what exactly she sees, and how exactly she sizes you up – her blouse often open one button too far and would draw your attention if you could drag your stare away from her eyes. You might divert your gaze to her mouth, full yet tilted lips that change color day to day like a mood ring with no shade of lipstick predictable enough for you to read, lips often parted slightly as if to imply some deep secret she might at any moment divulge, absolutely kissable lips, though you get the sense you’re not worthy or lucky enough to ever get there, yet you listen to what she imparts – if not great wisdom, then some sense of deep experience she alone has, and you need, her voice soft enough to suggest she has struggled, and yet is determined to survive.

Sometimes she sounds so innocent, you want to throw your arms around her, to protect her, and yet, something in the way she looks at you, the angle of her head, the slant of her smile, tells you she knows more about anything than you ever will.

For some reason she always smells like spring rain, the scent that rises when new leaves drip, and you ache to catch the tase of her on your tongue, when like all illusive things, it always escapes you.

You get the overwhelming urge to touch her, to feel if her skin is as tender as it looks, bumping into her by accident or dropping something deliberately so her fingers might make contact with yours when she gives it back.

Sometimes, you want to sip from the same cup she just sipped from, to taste how she must taste, thinking maybe she is sweet, when deep down in your being you suspect she is bitter sweet, like a Chinese dish you can’t keep from devouring, no matter how full you think you are, it is never enough.

And you strongly suspect men have thrown themselves onto rocks over her or tied themselves to masts of ships when they hear her sing, driven mad by desire for her, great men, strong men, made weak – Odysseus, Jason, Hercules, even the mighty and angry Achilles, who plucks Cupid’s arrows out of his heals.

You want to think nobody is good enough for her – especially you, when it is exactly what which paint the look of loneliness deep in her eyes, this perfect imperfect beauty that scalds at even the briefest touch.

Who is she?

 

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